IMPERMEABLE

Leslie Osterling

Under the title I’mpermeable, Leslie Osterling shows us the configuration of an exhibition project that goes beyond the limits of narrative photography, approaching deadpan photography but applying it to horizons, territories and oceans, achieving a result that transcends the aesthetic narration of a state and style of its own.

His landscapes are studies of light, of water and of an attractive atmosphere, in which one senses the effort to capture analogies and differences in order to record them in memory, suggesting that the sea is one – always similar -, generating interrupted time in the equivalence of itself, testifying to movement and imbalance. They are images that speak of emptiness, of the ethereal, of the grandeur of nature in contrast to the insignificance of man.

José María Díaz Maroto (excerpt from curatorial text)